Maxime Guyon

Artist and Commercial Photographer currently living and working in Paris, France. Maxime Guyon graduated with honors from the prestigious art school ECAL where afterwards he also contributed to the creation of the Master Photography program alongside Milo Keller and worked as a researcher at the same time for the research project called “Augmented Photography”. His modernist, sharp and colorful images concentrate on the technological evolutions in modern society. His project “Technological Exaptation” is a questioning for all photographers faced with dematerializations.

Maxime Guyon

Maxime Guyon's latest project takes a fascinating – and beautiful – look at the aeronautics industry

into it — searchsystem: Maxime Guyon / Aircraft: The New

Maxime Guyon j'aurais bien aimé gagner un groupe 1, mais je suis super content de mon année.

[Guyton, Maxime, Nova, Nicolas] on . *FREE* shipping on qualifying offers. Maxime Guyon: Aircraft: The New Anatomy

Maxime Guyon: Aircraft: The New Anatomy

Maxime Guyon

Maxime Guyon

maxime-guyon-aircraft-a-new-anatomy-photography-itsnicethat-7.jpg —

Maxime Guyon met dans le mille - Le Parisien

En pleine lutte pour l'obtention de la Cravache d'Or 2019, Maxime Guyon a aussi l'esprit ailleurs. Titulaire d'une licence d'amateur au trot depuis quelques semaines, le jockey a disputé sa première compétition officielle au mois de juillet. Il nous parle de sa passion pour les trotteurs. Il y a eu Christophe Soumillon par le passé.…

Maxime Guyon, du galop au trot – Au Début de la Ligne Droite

At a turning point in the history of the aeronautic era, Aircraft: The New Anatomy challenges the perception of the aviation industry and common conventions of photography. Between 2017 and 2020, French artist Maxime Guyon visited major European airplane manufacturers and other key players in this industry. With a strong conceptual aesthetic and a fascination for details, Guyon has created a photographic essay that approaches this topic in a whole new way. The series of images explores the captivating evolution of the aircraft industry as well as the constant expectation of progress within technology. Combining the principles of “form follows function” and the aesthetics of our post- industrial era, the book reopens the visual discussion that was first introduced in 1935 by Le Corbusier’s publication Aircraft: The New Vision.

AIRCRAFT Lars Müller Publishers